eohippus        all contents copyright 2010 max carmichael why eohippus?         contact
arts portfolio:         visual arts         music         writing         events         design        
music:     evolution & genres back         next



customized great lakes banjo
photo by josiah seiver



"big drum" (gungon)
photo by amina cogley

Instruments

I learned saxophone in grade school, then our ancient neighbor John Gephardt gave me an old guitar, and the rest was history.

I worked my way through rock chords and blues solos for years, not making much progress until I taught myself flat-pick bluegrass guitar and Scruggs style banjo in the late 70's. I picked up a Fender Jazzmaster and a nice Great Lakes banjo. In Terra Incognita I developed a distinctive electric guitar style integrating bluegrass and Nigerian juju techniques.

After percussionist Michael Corbett joined Terra Incognita, I got hold of a Yoruba talking drum and gungon (Big Drum) and developed distinctive styles on them as well, incorporating a bit of a Scottish twist. Then in Wickiup I started adapting the lamellophone phrases from apala music for the banjo.

As with singing, I believe that participation of the whole family and the whole community should be at the foundation of music. Instruments are really secondary. The less specialization, the better. Go to a powwow, you'll find everybody dancing and singing to a single drum.



talking drum
photo by mila morales



first electric guitar (harmony)
photo by delpha ludington