| eohippus all contents copyright 2007 max carmichael | why eohippus? bio contact | |||||
| arts portfolio: visual arts music writing events design | ||||||
| writing: pamphlet literature | back next | |||||
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...The five of them gathered outside in a line, facing the rollup door in the alley. From
inside, voices. A guitar feeding back and Punk Monster yelling at George. Farther down the
alley Pigeon Man was trying to shoot a pigeon off a telephone pole. His rifleshots echoed
off the tall dark tenements that leaned back from the sidewalk. The five of them looked at each other. The two women were dressed in nightgowns and the men wore leather jackets. Urine soaked trash surrounded them in the alley. Fenton knelt down and gripped the bottom of the door with his fingers and the others followed. They strained. The door lifted slowly and then smoothly gave way and they walked into a cavernous room filled with smoke and light. At the other end the band turned with their eyes wide. What the HELL Punk Monster said. |
1997 |
...On the big day they marched around the columns of an insurance company skyscraper,
shouting "Life!" "Trust!" "Security!" while Joe counted time on his wood blocks. A video
crew followed them everywhere. Accompanied by Fenton's droning tape loops, Joe stood
modestly on the steps of the Stock Exchange, narrating the old legend of the Little Boy
and his Digging Stick who destroyed the Evil Serpent of the Underworld and founded a
venerable financial institution. For a climax, they helped the Bike Messenger climb upon
a hideous monolithic sculpture in the public plaza below the city's tallest building. He crouched like Atlas on the black stone of death, one arm aloft, tethering the others with strands of multicolored cloth as they ran around the stone in a great circle. It was essentially a maypole dance. Awestruck bike messengers gathered with their radios, spreading the news. Bystanders were interviewed by the video crew. Many believed it was one of the city's ancient and sanctified traditions. |
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